However this painting is a good example of Kalf's last and mature Parisian period. Part of the composition is therefore missing. The V&A version is much smaller than the original one and has been cut on the edges at the top and on the right hand side. The copy in Cologna was stated as the original painting by Grisebach in his 1974 catalogue raisonné of Kalf's oeuvre but is now believed to be an 18th-century copy. 833-5) and the other is preserved in the Wallraf-Richartz-Museum, Cologna (inv. Apart from the V&A version, there are two more copies: one is housed in the Musée des Beaux-Arts, Rouen (inv. It eventually appears that the original one, signed and dated 1643, belongs to a private collection in Germany. This painting is an exact copy of a well known still life by Willem Kalf, the original version of which has long been debated. In 1653, he was in Amsterdam where he remained until his death. Kalf returned to Rotterdam in 1646 but continued to travel in the Netherlands. In the 1630s, he went to Paris and spent a long time with the Flemish artists residing in St-Germain-des-Prés. Willem Kalf (1619-1693) belonged to a prosperous patrician family from Rotterdam.
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